bridges, gave the newer parts of London a curiously Venetian

appearance. In some streets there were upper and even third-story

Rows. For most of the day and all night the shop windows were

lit by electric light, and many establishments had made, as it

were, canals of public footpaths through their premises in order

to increase their window space.

Barnet made his way along this night-scene rather apprehensively

since the police had power to challenge and demand the Labour

Card of any indigent-looking person, and if the record failed to

show he was in employment, dismiss him to the traffic pavement

below.

But there was still enough of his former gentility about Barnet's

appearance and bearing to protect him from this; the police, too,

had other things tothink of that night, and he was permitted to

reach the galleries about Leicester Square-that great focus of

London life andpleasure.

He gives a vivid description of the scene that evening. In the

centre was a garden raised on arches lit by festoons of lights

and connected with the Rows by eight graceful bridges, beneath

which hummed the interlacing streams of motor traffic, pulsating

as the current alternated between east and west and north and

south. Above rose great frontages of intricate rather than

beautiful reinforced porcelain, studded with lights, barred by

bold illuminated advertisements, and glowing with reflections.

There were the two historical music halls of this place, the

Shakespeare Memorial Theatre, in which the municipal players

<<BackPagesTo menuForward>>